2025
[03:12]
STRUER TRACKS
Client
Sound Art Lab
Struer, Denmark
Category
Art
,
Video
Capturing how sound, place, and community intersect across Struer’s public spaces. Visual coverage of Struer Tracks biennial.
Client
Sound Art Lab
Struer, Denmark
Category
Art
,
Video
Capturing how sound, place, and community intersect across Struer’s public spaces. Visual coverage of Struer Tracks biennial.
Struer Tracks is a biennial festival for sound and listening that transforms public spaces in Struer into a platform for experimental sound art. The work aimed to document this unique, site-specific event — capturing how sound activates environments and community, and how listening becomes a shared experience rather than just an art form. The brief was to visually articulate sound’s spatial and social dynamics without reducing the complexity of the festival’s interdisciplinary programme.
We adopted a responsive visual approach guided by presence and context: compositions that foregrounded installations, performances, and workshops in their real environment; attentive pacing shaped by sound work itself; minimal interference with live activity; and respectful collaboration with organisers and artists to retain the integrity of listening-based experience.
The resulting material supports Struer Tracks’ archive and communications, providing a visual identity that reflects the festival’s experimental ethos. It contributes to how audiences, collaborators, and institutions encounter Struer Tracks both during and beyond the biennial, emphasising the social, spatial, and communal dimensions of sound art.
Credits
Creative Director — Mateusz Szota
Director of Photography — Katarzyna Kmiecik
Sound — Habiba Sallam
Festival Director — Jacob Eriksen
Struer Tracks is a biennial festival for sound and listening that transforms public spaces in Struer into a platform for experimental sound art. The work aimed to document this unique, site-specific event — capturing how sound activates environments and community, and how listening becomes a shared experience rather than just an art form. The brief was to visually articulate sound’s spatial and social dynamics without reducing the complexity of the festival’s interdisciplinary programme.
We adopted a responsive visual approach guided by presence and context: compositions that foregrounded installations, performances, and workshops in their real environment; attentive pacing shaped by sound work itself; minimal interference with live activity; and respectful collaboration with organisers and artists to retain the integrity of listening-based experience.
The resulting material supports Struer Tracks’ archive and communications, providing a visual identity that reflects the festival’s experimental ethos. It contributes to how audiences, collaborators, and institutions encounter Struer Tracks both during and beyond the biennial, emphasising the social, spatial, and communal dimensions of sound art.
Credits
Creative Director — Mateusz Szota
Director of Photography — Katarzyna Kmiecik
Sound — Habiba Sallam
Festival Director — Jacob Eriksen
MØNES, ALL RIGHTS RESERVED ©2025
Aarhus, Denmark
MØNES, ALL RIGHTS RESERVED ©2025